The script itself acts as a ruthless stalker, uneasy with its own probing. It does little to convey either the perfection or imperfection of its subject. Unfortunately, it does not reveal anything about the enigmatic Diana, but manages instead to portray her as a tepidly manipulative and scheming woman, who fed the media with photographs taken with Dodi Fayed.
Thus, Stephen Jeffreys' screenplay seems unfocussed and fickle. The dialogues too are mediocre and sound dull and comical.
