The dialogues that flow from mouths which seem constructed for deception during times of drama seem to sound like graffiti on toilet walls.
Writer-director Vishwas Patil means well. Maybe just as well as B.R. Chopra when he cast Vyjayanthimala as the rehabilitated nautch girl in "Sadhna". But Vyjayanthimala could dance. Kangana can't.
Lamentably, good intentions don't translate into good cinema. Dialogues comparing women to commodities that are meant to be scathing attacks on the position accorded to women in our society, come out sounding cheesy. The editing and choreography don't support Kangana's character in any way.
Instead, they drive the narrative around the bend creating a kind of chaotic universe where actors drop in, say their allotted lines quickly and leave without getting involved in the mess.
