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10 powerful dialogues that make Amitabh Bachchan’s ‘Pink’ relevant to today’s time

  • All those who are in their late 20s or beyond cannot forget “Mugambo Khush Hua” fame Amrish Puri in the movie Mr. India. Similar Sholay’s Gabbar Singh’s line “Kitanay admi they” has lived beyond the span of the movie or the actor himself. Needless to say dialogues and it’s delivery makes or mar career of a star, besides giving a lease of life to the movie. Often dialogues immortalises a role. Besides. the audience feel more connected if they get to hear something which they can relate to. And this is what exactly happened with Amitabh Bachchan’s recent release ‘Pink’. The movie is winning applauds for its hard-hitting dialogues, as it sarcastically describes the condition of women in the patriarchal mindset society. And those who have watched ‘Pink’ would completely agree with the fact that writer Ritesh Shah has done wonders with his words. Here we bring you 10 such powerful dialogues from ‘Pink’ that makes it aaj ke generation ki movie

    All those who are in their late 20s or beyond cannot forget “Mugambo Khush Hua” fame Amrish Puri in the movie Mr. India. Similar Sholay’s Gabbar Singh’s line “Kitanay admi they” has lived beyond the span of the movie or the actor himself. Needless to say dialogues and it’s delivery makes or mar career of a star, besides giving a lease of life to the movie. Often dialogues immortalises a role. Besides. the audience feel more connected if they get to hear something which they can relate to. And this is what exactly happened with Amitabh Bachchan’s recent release ‘Pink’. The movie is winning applauds for its hard-hitting dialogues, as it sarcastically describes the condition of women in the patriarchal mindset society. And those who have watched ‘Pink’ would completely agree with the fact that writer Ritesh Shah has done wonders with his words. Here we bring you 10 such powerful dialogues from ‘Pink’ that makes it aaj ke generation ki movie

  • Hamare yaha ghadi ki sui, character decide karti hai.

  • Kisi bhi ladki ko, kisi bhi ladke ke saath, kahi bhi akele nahi jana chahiye. Kyunki aisa karne pe, wahan ke log ye assume kar lete hai ki wo ladki willingly wahan pe aayi hai aur unhe usse touch karne ka license issue kar dia gaya hai..

  • Shahar mein ladkiyon ko akela nahi rehna chahiye. Ladke reh sakte hai par ladkiyan nahi. Akeli, independent ladkiyan, ladkon ko confuse kar deti hai.

  • Raat ko ladkiyan jab sadak pe akeli jaati hai to gaadiyaan slow jaati hai aur unke sheeshe neeche ho jate hai. Din mei ye mahan idea kisiko nahi aata.

  • Jo ladkiyan party mei jaati hai aur drink karti hai, wo pushtaini hak ban jaati hai aapka

  • Sharab ko yaha ek galat character ki nishani maana jaata hai, sirf ladkiyon ke liye. Ladkon ke liye to ye sirf ek Health Hazard hai!

  • These boys must realise that No ka matlab No hota hai. Use bolne wali ladki koi parichit ho, friend ho, girlfriend ho, koi sex worker ho ya aapki apni biwi hi kyu na ho. ‘No’ means no and when someone says No, you stop.

  • ‘Na’ sirf ek shabd nahi… apne aap mein pura vakya hai. Ise kisi tark, spashtikaran,explanation ya vyakhya ki jaroorat nahi hoti.

  • Rock show mei hai to hint hai. Library ya mandir mein hai to hint nahi hai! Venue decide karta hai aapka character.

  • Agar ladkiyan, ladkon ke saath dinner ya drinks pe jaati hai to ye unki apni choice hoti hai. Avaialable hone ka sign board nahi banke jaati.

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