Writer Matt Whiteley's script does not give him much scope to perform. The screenplay ticks off events like a checklist and only skims the subject. It does not reflect the finer nuances of Jobs's life.
His romance and marriage, his relationship with his adoptive parents, the birth of his children, and his reconciliation with his estranged first daughter -- all happen off screen. The transition of Jobs as a go-getter to a family man is missed.